Note: This post does not give a solid answer to the question raised in the title, but it does discuss the pros and cons of using “bad language,” so that you can make an informed opinion. Also, since there’s a discussion of bad language, I do *shocker* include the words d--- and h--- when showing examples of writing with and without swearing.
Cyrus’s dreams come true when he becomes an apprentice Hero to Reginald, aka “The Crimson Slash.” As Cyrus learns the rules of True Heroism (e.g. “Always fight Climactic Duels in Ridiculous Locations”), his path crosses with that of Voshtyr Demonkin, a Villain more devious, dastardly, and dangerous than the world has seen since the Twenty-Minute War. Or perhaps, since ever. Cyrus’ life soon becomes very tangled, involving a sharp-tongued cat-featured Katheni girl; a horrific P.L.O.T. device; confusing magic controlled by Arbitrary Numbers and Capital Letters; and a struggle to understand the mysteries and meaning of the Universe. Can Cyrus defeat Voshtyr—or will Voshtyr defeat him?
“Pardon my intrusion, but could I trouble you for an Awakener’s hat? I’ve lost mine.”
The hatter glanced up from his bench, hands stained purple as he worked the warm, damp felt into shape. The stranger’s clean-shaven face and midnight robe marked him as a Master, a gifted servant of the people. His age could be no more than thirty-five.
“You may trouble me,” the hatter replied. “But I must finish the shaping on this hat while the fibers are warm.”
“I will wait,” the Master replied.
“Then share my bench,” the hatter offered, and the Master took the offered space. They sat for a time without speaking, and the Master’s eyes marked the dancing of the tree-shadows across the grass that the nearby sheep had nibbled nearly to the earth.
One of my favorite things about fiction, particularly speculative fiction, is its ability to comment on life in the context of story. That's what my #TruthInFiction series is all about.
Today’s #TruthInFiction comes from Chapter X of 1984 by George Orwell, in which the main character, Winston, looks out a second-story window and notices a working woman hanging laundry on the line.
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